Themes in Star Wars: Dan Zehr Teacher and podcaster Studying Skywalkers is an exclusive column that investigates the characters, themes, and lessons of Star Wars from an educational, literary perspective. In this installment, StarWars. Each of these films helps to perpetuate our understanding of each character, as well as to further our examination of the cultural imperatives present in these beloved movies.
There is not any set place where this needs to take place, but is an exploration of the feints, attacks, and battles that occur between the two forces. Doing Overall Story Concern The Empire is building the Death Star and searching for the location of the Rebels; the Rebels are attempting to keep their location secret and are trying to transport the plans of the Death Star to their home base; etc.
Skill Overall Story Issue The entire war between the Rebellion and the Empire is a match between skills and experience. The Empire has a great deal of experience in quashing upstart groups, but its skills at doing so are rusty. The Rebellion, which has far less experience, is made up of great numbers of raw talent like Luke.
Experience is very advantageous in this story. Overall Story Thematic Conflict Skill vs. Experience Although skills are important and no one can get by without them in this galaxy, there is no substitute for experience.
When skills become tempered by experience, either in tests by fire or in experience with the mystical Force, then those skills become even more effective.
This causes trouble for the Rebellion, since Leia is an important ally and is transporting the stolen data to the Rebels. This causes trouble for the Empire because it forces the Empire to go public with its plans of domination earlier than expected. All troubles seem to grow from that, including the need to destroy Alderaan while attempting to blackmail information from Senator Organa, completely destroying the secrecy of their new weapon.
Rather than trusting in the design and efficiency of the Death Star, the Empire determines it must have a test run on Alderaan—this clues Princess Leia, Obi Wan and subsequently the Rebellion, as to the terrifying nature of what they are facing.
Trust Overall Story Solution The Empire finally trusts in the accuracy of the information about the location of the Rebel base and the power of the Death Star, and now that the Rebel base is within reach….
What caused R2D2 to run away? Who caused the death of the Jawas? What caused the fight at the Cantina? What caused the destruction of the Jedi Knights? What was the source of the disturbance in the Force?
Where is the source of the tractor beam that is holding them captive on the Death Star? Where is the power source for the Imperial trash compactor?
Effect Overall Story Response The efforts to find and destroy the robots and all that have had contact with them; making an example out of Alderaan by obliterating it; escaping after the tractor beam is cutoff; making the escape from the Death Star appear to be legit but the Empire is tracking them ; the effects of drugs and torture on the Princess to find the location of the Rebel base; the firepower of the Death Star as a deterrent; etc.
Learning Overall Story Benchmark The Empire learns how to find the location of the Rebel base—intimidation, torture, and destruction of Alderaan do not get them any closer, whereas the appearance of a lack of skilled fighters the TIE fighter attack gets them what they want; the training of a Jedi Knight; etc.
The Empire will stop at nothing to recover the stolen plans, find the rebel base, and destroy it. Overall Story Backstory An evil Empire has won control of the galaxy, tightening its tyrannical grip until a popular rebellion is born.
Leaders in this rebellion live according to the old philosophy which used to be championed by the Jedi knights. Now the Jedi are practically extinct and the rebellion is in dire straits. The war has had an effect on both sides already as the story begins: This war is where the Objective Story problem comes from.
Main Character Throughline Universe Main Character Throughline Luke is a whiny farm boy who has tremendous amounts of unrealized potential because his father was a Jedi Knight. Once he gets off of Tatooine, he then is concerned with how long it will take for him to become a Jedi Knight—the progress of his training.
Obi-Wan purports the power of the Force, while Han shoots that down as a bunch of mumbo jumbo, etc. Understanding the variety of these facts helps Luke become more what he wants to be.
Fact is advantageous for Luke. Main Character Thematic Conflict Fantasy vs. Fact Balancing fact and fantasy is a constant issue with Luke.Find out how this planet’s real-life history inspired filmmaker George Lucas to create his sci-fi saga in a galaxy far, far away. When George Lucas developed the storyline for “Star Wars.
A fascinating tour through the true history that underlies the storyline of the Star Wars saga "A timely, insightful collection that honors Star Wars fandom by acknowledging its intelligence.
Even readers who've always assumed history is a dull, stale subject will be captivated by these scholarly meditations upon the links between our world and a galaxy far, far away"/5(19). The story line comes from deep in Star Wars lore, the eighth issue of the Star Wars comic book series published in November of This was the first issue that started to expand the world of.
The more you dig into Star Wars, the more rings you discover. There are a hundreds more, especially in cinematics. For a full analysis of all the rings, visit the source of the theory. The following analysis reveals a comprehensive look at the Storyform for Star Wars. Unlike most of the analysis found here—which simply lists the unique individual story appreciations—this in-depth study details the actual encoding for each structural item.
Return of the Jedi (also known as Star Wars: Episode VI – Return of the Jedi) is a American epic space opera film directed by Richard Marquand. The screenplay by Lawrence Kasdan and George Lucas was from a story by Lucas, who was also the executive producer.